Posts tagged ‘Twin Peaks’

April 21, 2013

Lit Bombast: The Secret Diary of Laura Palmer

Imagine reading Are You There, God? It’s Me, Margaret while doing a line… during an occult sex ritual… in which you haven’t slept for 3 days straight.

laura palmer diary

That’s pretty much the experience of reading The Secret Diary of Laura Palmer. While I don’t actually condone doing drugs, engaging in occult activities, or depriving yourself of sleep as you’re reading it, I DO think setting the mood with a soundtrack is clutch to the experience. I actually made a playlist to listen to while reading it. If you are going to read the book, may I suggest the following musics?

Bauhaus, pow-wow drum songs, Diamanda Galas, the Birthday Party, early ’30s blues, late ’50s lounge, Death in June, the Fisk Jubilee Singers (circa 1873), and OBVS Julee Cruise. You really can’t go wrong that way. But back to the book.

If you have not yet watched Twin Peaks and Fire Walk with Me, please go take a couple days off work this week and DO THAT first. The book is sort of like a prequel to everything that happens in the TV show and film, but it’s important to watch those before reading The Secret Diary of Laura Palmer. I think this is where I say, “spoiler alert” or something so that you don’t keep reading if you haven’t watched Twin Peaks.

Now, if you’re faint of heart, this probably isn’t the book for you. I can confidently say that this is the dirtiest lit I’ve read since I picked up a copy of Story of the Eye in 9th grade. Fortunately, you’re not faint of heart, or else you wouldn’t be reading my blog or watching Twin Peaks, so I think we’re good to go.

secret diary laura palmer 5

Can we all agree that it’s awesomely fitting that David Lynch’s daughter Jennifer Lynch wrote this book? For all the fanboys/girls out there, it definitely contributes to the empire’s cult status. The book is not especially well-written, but I don’t mind, because, c’mon, what teenage girl’s diary IS well-written? I think it’s more important that it has that authenticity of being penned by a 20-year-old woman who probably (like a lot of us) experienced some of those weird feelings that come with growing up as a girl in the suburbs during the late ’80s. For me, that perspective was what was always missing from the TV series, and from books like The Virgin Suicides that romanticize the girl-next-door who’s just a little dark and mysterious.

The Secret Diary of Laura Palmer starts when Laura is just 12 years old. Throughout the book, you’ll forget that because of all the drugs she’s doing and sex she’s having when she’s like, 14. So that’s sort of the main theme of the book- the agonizing conflict inside Laura, between her desire to be bad and her desire to be good. She’s constantly giving in to her primal urges, caving to the lure of coke, indulging in orgies, and acting out violently. At the same time, she loves her parents and her pets, she talks to God, and she grapples with intense guilt on a daily basis.

Her “bad” side is represented, of course, by Killer BOB. BOB is aware of Laura’s every move and every thought. He started appearing in her dreams when she was a small child, but he begins to control her life more and more as she matures. By the time Laura is 14, BOB even takes over her diary (when he feels like it.) Laura tries to fight his presence, but he abuses her so severely, and so incessantly, that he totally crushes her into submission. It looks something like this:

My mind is his toy. Something he bats around, with his paws. I’m just to have to tell everyone and make them believe. Just tell…

TELL THEM WHAT, LAURA PALMER? TELL THEM THAT I TAKE YOU AWAY AND YOU NEVER ARGUE? YOU NEVER SCREAM FOR HELP? TELL THEM YOU SEE ME BUT NO ONE ELSE DOES? NO ONE WILL BELIEVE YOU, LAURA PALMER. I’M TOO CAREFUL.

Dear God… it’s happened again… He’s stepped onto the page… This is not at all what I was trying to write! It frightens me terribly to know that BOB found his way into the pages of my diary as if he were feeding the words to my mind, just seconds in time for me to think that they are my own.

So yeah, that gets worse and worse as the book goes on, and BOB is constantly calling Laura “dirty,” “slut,” and “bitch.” And you know, she starts to spin out of control. No one “close” to Laura (her mom, her good-girl bff Donna) have any clue what’s going on. The Log Lady senses something is wrong, but the only one who seems to really understand is Leo Johnson. Man, that guy is seriously fucked up. For fans, it’s actually super-exciting to learn so much more about Leo than what we get in the show. It almost makes up for the fact that the book (obviously) totally lacks any material on Coop and Audrey Horne. Leo hears voices, has a creepy relationship with sex, and is wrapped up in some crazy internal power struggles. Kind of explains his behavior in the show, I guess.

The whole, “Straight-A-student-prom-queen-who’s-secretly-corrupt” thing isn’t new, but I actually think it was important in the ’90s. I remember it being a big deal to me. It’s hard to feel older than everyone you know in high school. To uphold your image of coolness and integrity while dealing with scary things like sickness and suicide. And to have to hide an oscuridad inside you. Laura’s diary captures that feeling really well. Nowadays (I hope) young people are a little more able to express themselves in non-black-and-white ways.

secret diary laura palmer 1

So, we all know how it ends. Laura knew too, and by the time she’s 17 in the book, she totally accepts her impending death. Even asks for it to come sooner at a couple points, but she never stops trying to figure out everything she can about this haunting force from the woods and dreams. The book is totally corny, and full of cliches, but I absolutely loved it.

Ultimately, it’s a book for the fans. You’ll get something out of it if Twin Peaks made you reexamine your life that way it did for me. Otherwise, it might just be a “shocking” tale of teenage degeneration for you. I hate to say this (not really), but you don’t really deserve to read it if you’re not a Twin Peaks diehard, IMO. If a diehard you are though, pick up a copy asap- this is the fire you must walk through.

Wrapped in plastic,
La Lengua

secret diary laura palmer 4

February 11, 2013

In the Mood For… Post-Punk Pins

I’ve been feeling the buttons lately. My friend Krissie bought me some Twin Peaks pins recently, and I just went to an event at this legit Chicana/punk art gallery (Everlasting Love) put on by a friend at Radio Valencia. I was stoked to purchase new pins there too- Plasmatics and Vice Squad, the two for a buck. Anyway, it got me wanting to round up cool pins for a post. Have at ‘em:

post punk pins 3

post punk pins 2

post punk pins 4

post punk pins

post punk pins 5

post punk pins 6

post punk pins 7

pins tp

post punk logic

I never know quite how to wear them though. On my denim jacket? On a bag? I’m awkward.

November 19, 2012

Noisegasm: Lydia Lunch at the Verdi Club

Lydia Lunch is a force of nature. A tempest of sex, noise, booze, and wrath. Lucky for me, San Francisco was directly in the path of the storm called RetroVirus: Lunch’s 6-date tour described as “a harrowing cross section of aural schizophrenia from No Wave skronk to bludgeoning Hard Rock and sleazy Jazz Noir to propulsive Psychedelia.”


[Lydia Lunch at Verdi Club Nov. 9th 2012]

I dragged Aislinn to Potrero’s Verdi Club, a fringe venue that seemed like a cross between a ‘40s big band jazz lounge and an awkward ‘60s high school auditorium.

We arrived with just enough time to grab a drink before openers Burmese began their full-fledged assault on the audience. With two drummers, two bassists, and a woman with a voice like 3 men shrieking, the Bay Area noisecore collective unleashed a blaring sound that was perfect to open before Lydia Lunch. It was noisy, arty, abrasive, and experimental, yet I wouldn’t say derivative of No Wave. I’m used to hardcore and grind bands incorporating noise, but Burmese had a totally unique approach. I was struck by how seamlessly they integrated sludge, doom and gloom (through the use of female vocals!) without ever letting up on the speed and energy. The avoided the stage and instead to play on the floor. With all the lights on. Powerful shit. I’m def gonna have to check out more from these guys.

Lunch came on stage shortly after their performance. With her sparkly art deco dress framed by the old-timey cut-out-box stage, Lunch appeared to me like an ethereal vision of Julee Cruise. Of course, that was quickly changed the second she opened her mouth. “Thank you, Burmese. You guys fucking rocked my cock.” With a band including (wait for it) Weasel Walter on guitar, Bob Bert on drums, and Algis Kizys on bass, this was obviously going to be good. Walter was spastic as ever, Lunch danced like a deranged ‘60s surfer girl on speed, and sang classics from Teenage Jesus and the Jerks, 8-Eyed Spy, her solo career, collaborations from folks like Rowland S. Howard and Sonic Youth, and even an unreleased song. (Why didn’t I fucking record that?) Personal favorites included “Baby Doll,” “Mechanical Flattery,” “Love Split with Blood” and “Burning Skulls.”


[Me, getting dressed up in red tights, blue lipstick and a leather jacket for the show.]

The highlight? In the middle of one of the slower, darker songs, a young woman from the audience, hypnotized by the music (that or tripping on acid) made her way through the crowd and climbed on stage. Spellbound, her hands slithered up Lunch’s legs, and at one point, the woman lifted her shirt up (no bra!) and started, uh, touching herself. Lunch, totally unfazed of course, guided the woman downstage towards the end of the song, and before starting the next number, mused, “Sometimes people get a little LUNCH-DRUNK. It happens to the… worst of us.”

For whatever reason, it was really meaningful to me that Lydia Lunch can STILL engage in surprise and shock and transgression, even though she’s a super-established “mature” artist these days. At another point, she said she needed some “brandy or cognac” (classy lady) and someone from the audience handed her their drink. Cheers-ing, she downed the drink without question. I don’t know, it just makes me happy that she’s not detached and overly careful, even today. Fuck suppression- roll with the punches, right? If ever a performance truly embodied the the meaning of “Noisegasm,” this was fucking it.

Oh, and look, someone uploaded a video.

September 17, 2012

Style Ish: Lindsey Thornburg Channels Laura Palmer

Twin Peaks-y style, via CA designer Lindsey Thornburg! Or, if you’re into a more literal interpretation, try out a red velevet + black and white chevron look.

I like how she even works a blue velvet top into the top. Doubly-Lynchian.

August 23, 2012

Arts Bombast: Brian Scott Campbell

If I can’t live inside the Black Lodge, my next choice isn’t that far off: the drawings of Brian Scott Campbell. Mainly THIS geometric cactus/beer room:

Retro domestic + surrealist sensibilities + monochrome = YES.

July 30, 2012

In the Mood For… Eyes

Why am I so obsessed with eye graphics? Oh, that’s right, because they’re totally creepy. And clearly, I need me some more creep-factor in my life.


[Raymond Pettibon!]


[Tuxedomoon and Noh Mercy.]


["Slicin' up eyeballs..." Un Chien Andalou.]

[Twin Peaks photos by Richard Beymer.]


[Man Ray- Tears.]


[The Residents, of course]

There are also shit-tons of good songs about eyes, but I’ll save that for another time when I’m in a theme-y playlist-making mood. For now, a good band, called simply– Eyes. This is their song “Don’t Talk To Me.”

Ojos also remind me of my bff Krissie, so there’s that too.

July 11, 2012

Noisegasm: Ciccone Youth

Like most good bands, Ciccone Youth was a short-lived (albeit brilliant) project that dissolved before it had a chance to start sucking. The group was formed by the members of Sonic Youth, along with bass-boss Mike Watt in 1986 out of a sort of shared obsession (real or ironic, I’m still not sure) with the pop grooves of (wait for it) Madonna. Her given last name is Ciccone, by the way.

Ciccone Youth never actually played a gig, and honestly, I’m extremely surprised that they managed to release a full-length album. The whole thing easily could have remained an obscure musical joke like MinuteFlag, Watt’s little-known experimental collaboration with the members of Black Flag in the mid ‘80s.

Ciccone Youth’s “Addicted to Love:”

The Whitey Album is a fantastic model of experimental music that doesn’t take itself too seriously. The standout tracks are:

“Addicted to Love” -doesn’t Kim look dope in that vid?
“Macbeth” -the song I’m most likely to play while just hanging out at home. They ditch-the-kitsch for primitive, noisy experimental rock.
Into the Groovey” -something cool about this track is that it sounds extremely slowed down, but in fact, the tempo is exactly the same as the original “Into the Groove.”
“Burnin’ Up” -my personal favorite. Watt recorded it on a four-track tape in his bedroom.


[Watt with photo of Kim Gordon- 1987]


[Watt with Madonna bass- 1988]


[Madonna looking particularly "rock'n'roll" in 1986.]

Something really sweet too is what Watt has to say about the significance of Ciccone Youth in his personal life and career: “This band was critical for me because it was right after d. boon’s death and the project really motivated me to get back into music.” So you know, if not for Ciccone Youth, we might not have fIREHOSE, the Missingmen, Dos, and other Watt goodness. Listen and dig:

Burnin’ Up:

Macbeth:

Oh, also someone in Youtubeland made a video of “Macbeth” to intense Twin Peaks scenes, which makes no sense whatsoever but might also be the GREATEST creative product of our time.

July 2, 2012

Arts Bombast: Nan Goldin

“I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.”
–Nan Goldin


[Goldin in 1976]

I learned about radical photographer Nan Goldin when I was looking at photos of the notorious Cookie Mueller. One photo in particular (the one immediately below, in fact) reminded me of Twin Peaks for some reason, so naturally, I had to know who snapped it. It turns out a lot of Goldin’s work has that same moody and disheveled feel to it, which is super common these days, but pretty renegade for art student at the time. Like most of Goldin’s subjects from the ’70s and ’80s (and also like Laura Palmer #justsaying), Mueller died young. She fell to AIDS in ’89, which had a profound effect on Goldin. She has said that most of her friends are positive or already dead from AIDS, and that she eventually realized that photographing people she loved would not save them. Still, Goldin was one of the first people to use art as a political expression about AIDS, and her work has been critical in humanizing the illness.

Most of the below photos are from Goldin’s ever-growing work The Ballad of Sexual Dependency, which began with the artist documenting New York’s underground punk and gay subcultures in the late ’70s.

Goldin has a book called I’ll Be Your Mirror, and in some exhibitions, she has included the song to accompany her work. Basically, you should play the song and look at the photographs again.

June 26, 2012

Style Ish: T-Shirts

Why can’t I just wear t-shirts all day every day?

But srsly, why?

Good ones at Cool Try, Burger and Friends, Lost Records and Love Nail Tree.

May 17, 2012

Arts Bombast: Fire Walk With Me

Because the world is cruel, I was unable to attend this magical, magical exhibition. But it’s Twin Peaks, so obviously I couldn’t NOT feature it. Enjoy the guest post by Krissie (aka that lucky bitch who DID get to attend) and some face-explodingly beautiful images from her visit:

I grew up watching Twin Peaks with my parents. The show first aired in 1990, and since I’m 27 years old, that would have made me six years old when I first encountered Agent Cooper and the bizarre mountain town of Twin Peaks, Washington. And whatever that says about my mother’s style of parenting; although it was somewhat terrifying to a six year old girl, I’ve loved the show for the past 20 years, and I am not alone.

From April 24th through May 12th the Copro Gallery in Santa Monica held a group art exhibition called Fire Walk With Me, in honor of the 20th anniversary of the cult classic series. For anyone who doesn’t know, Twin Peaks was created by David Lynch and chronicled the murder of Laura Palmer, and it’s subsequent investigation by Agent Dale Cooper (Kyle MacLachlan), the most unorthidox FBI agent I have ever encountered, who gathers clues from, among other places, dreams and giants. Many of the unforgettable and strange inhabitants of the town were featured in the exhibition along with Agent Cooper, including the sulty Audrey, Laura (she’s dead, wrapped in plastic), The Log Lady, lots of owls (who are not what they seem), and there were many fascinating depictions Bob, the malevolent spirit, and classic David Lynch style villian, who’s haunting face appeared in a few of my childhood nighmares.

Some of my favorite pieces were a sculpture of a slice of very realistic (and damn fine) cherry pie filled with tiny red skulls instead of cherries, by Colin Christian, and several fantastic geometric character portraits by Tim Biskup. The whole exhibition captured the surreal dreamlike quality of the series, showcasing both the beautiful and terrifying aspects of it, along with a lot of black and white chevrons.

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